yazid βThe white-on-black palette was inspired by Keith Haring's chalk on paper drawings which he did on empty subway panels in NYC. I had not set out to specifically recreate a chalk-y aesthetic, but as a result of developing the "Rough" finishing where I played with randomizing points along the marks to introduce texture and variance the effect ended up looking like liquid markers drawn on glass with visible pressure points. All of this contributed to the eventual name for the palette -- "Liquid Chalk". I loved how subtle this effect ended up in the palette. They unexpectedly became some of my favorite outputs from the collection.β