Automatism #11
Yazid
Logoyazid
β€œThe white-on-black palette was inspired by Keith Haring's chalk on paper drawings which he did on empty subway panels in NYC. I had not set out to specifically recreate a chalk-y aesthetic, but as a result of developing the "Rough" finishing where I played with randomizing points along the marks to introduce texture and variance the effect ended up looking like liquid markers drawn on glass with visible pressure points. All of this contributed to the eventual name for the palette -- "Liquid Chalk". I loved how subtle this effect ended up in the palette. They unexpectedly became some of my favorite outputs from the collection.”
Color Palette
Liquid Chalk
Finishing
Rough
Stoic Strokes
false
Proximity
Intimate
Stroke Variance
Dramatic
Directional Influence
Radial
Stroke Size
Thicc
Margin
Thin
Token ID
281000011
Description
β€œπ™Έ πšŠπš– πš’πš—πšπš›πš’πšπšžπšŽπš πš πš’πšπš‘ πšπš‘πšŽ πšœπš‘πšŠπš™πšŽπšœ πš™πšŽπš˜πš™πš•πšŽ πšŒπš‘πš˜πš˜πšœπšŽ 𝚊𝚜 πšπš‘πšŽπš’πš› πšœπš’πš–πš‹πš˜πš•πšœ 𝚝𝚘 πšŒπš›πšŽπšŠπšπšŽ πš•πšŠπš—πšπšžπšŠπšπšŽ. πšƒπš‘πšŽπš›πšŽ πš’πšœ πš πš’πšπš‘πš’πš— πšŠπš•πš• πšπš˜πš›πš–πšœ 𝚊 πš‹πšŠπšœπš’πšŒ πšœπšπš›πšžπšŒπšπšžπš›πšŽ, πšŠπš— πš’πš—πšπš’πšŒπšŠπšπš’πš˜πš— 𝚘𝚏 πšπš‘πšŽ πšŽπš—πšπš’πš›πšŽ πš˜πš‹πš“πšŽπšŒπš πš πš’πšπš‘ 𝚊 πš–πš’πš—πš’πš–πšžπš– 𝚘𝚏 πš•πš’πš—πšŽπšœ, πšπš‘πšŠπš πš‹πšŽπšŒπš˜πš–πšŽπšœ 𝚊 πšœπš’πš–πš‹πš˜πš•. πšƒπš‘πš’πšœ πš’πšœ πšŒπš˜πš–πš–πš˜πš— 𝚝𝚘 πšŠπš•πš• πš•πšŠπš—πšπšžπšŠπšπšŽπšœ, πšŠπš•πš• πš™πšŽπš˜πš™πš•πšŽ, πšŠπš•πš• πšπš’πš–πšŽπšœ.”'Automatism' is inspired by the practice of artists where they are given a writing implement and a blank surface, and they go freestyle, almost mindlessly filling up the space with whatever comes to their minds and out of their hands. I've often wondered where a machine's mind and "hand" would wander given the same opportunity.This project explores the age-old computer art phenomenon of inviting the viewer to actively participate in the interpretation of the visual output. The way "Sharp-E" draws the strokes is through a mix of various movements β€” irregular curves, straight lines, sudden changes in direction β€” in a classic random walk algorithm, while avoiding overlaps with previously drawn strokes. There are no pre-programmed forms per se, but nevertheless it can be common for the viewer to perceive images, symbols, meaning in the generated output.So where does your mind wander? What forms, symbols, and meaning do you see?Controls: β€’ 'D' toggles pausing/drawing or continues space-filling after the first stop (if available) β€’ 'R' reassembles the piece (This automatically happens every minute) β€’ 'S' saves the output